Trained at the Valencia Conservatoire of Dance, at the Choreographic Centre in Toulouse, and in London, Inka Romaní offers in her first piece a near-ethnographic exercise in memory, coupled with an archaeological inquiry framed as a question: can today’s urban dance play a role similar to that once held by traditional folk dancing? With Fandango Reloaded, she reactivates a communal experience through her own lens—upending conventions and favouring a broad urban mix over any traditional representation of the fandango. Couples reclaim its quick movements, precise pathways and rhythmic footwork, set to fragments of music infused with pop and electro, breaking, house and contemporary dance.
Deliberately offbeat and bold, her proposal embraces folk rituals from a contemporary, youthful and queer perspective, driven by the raw energy of six performers who, together, invent a renewed, forward-looking dance pulsing to the rhythm of their youth.
Les représentations à Marseille reçoivent le soutien du PICE Acción Cultural Española (AC/E).
